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Inside the Mind of Jim Tozzi

Published

2 months ago

on

Jim Tozzi

 

 

Jim and Amon sort of go off the rails talking about Wonder Showzen, PFFR, Bert’s Tit, Underground Comics, almost drowning, the Mystery of Picasso, food fights, Federico Fellini, Chuck Jones, puppets, sharpening your eye, sewing machines, Chewties and a bunch of other stuff.

More About Jim Tozzi

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Jim Tozzi grew up in Everett, a city to the north of Boston. The most distinctive thing about this town was the smell of freshly roasted peanuts due to the Teddie Peanut Butter factory. The factory’s emblem, a grinning cartoon bear with a bucket, would be one of the first influences of advertising on Jim. He went to Everett public school: always an outsider, he preferred drawing weird cartoons and watching monster movies to playing sports.

Jim Tozzi

Jim Tozzi

In his early teens, Jim borrowed a super 8 camera from his Aunt and began experimenting. Lacking a tripod, he would tape the camera down onto the kitchen table and animate various toys, Star Wars figures and clay monsters. He also created a live action series starring his little sister as “Chico” the heavily mustachioed drug dealer who would meet an unlikely demise in every episode. Jim went on to study film and illustration at the Rhode Island School of Design. He continued doing both animated and live action films creating a short film parody of an after school special called “Sunday School Girls” which tackled the subject of what Jesus really looked like.

Jim Tozzi

Jim Tozzi

Jim moved to New York and started working at Broadcast Arts inking and painting animation cels. He also started directing music videos for obscure alternative bands. One of the first was for Mercury Rev and featured Ron Jeremy as a floating space traveler. Jim approached Nick at Nite with his reel and some promo ideas; he was brought on to TV Land to come up with a new promo campaign. This campaign conceived, written and directed with his wife Vezna, developed into the award winning “Twip” series. “Twip” was an imaginary product in which it’s evolution was traced in commercial parodies from the early 1950′s through the 90′s. Now as a directing team, the “Tozzi’s” signed on to Bob Giraldi’s company and began directing spots for Miller Lite, Sprite and Florida’s anti-tobacco campaign. The “Tozzi’s” split up and Jim went solo; joining M-80 he directed an award winning campaign for Kellogg’s Rice Krispie Treats for Leo Burnett. He went on to direct comedy spots for Sony Playstation, Nick at Nite and Miller. In his free time Jim likes to draw, paint, take long quiet walks and is a member of the art collective PFFR. Jim is now signed with THEM and living in New York.

Jim Tozzi

Jim Tozzi

Part One Show Notes

Jim Tozzi

Part Two Show Notes

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Art

Solving for X with The Mazeking

Published

3 weeks ago

on

May 14, 2020

By

The Mazeking

 

 

 

Listen to New York Said wherever you get your podcasts:
Apple Podcasts | Google Podcasts | Spotify | Stitcher | TuneIn

 

In this episode The Mazeking and Amon talk meditation, Marcel Duchamp, Buddhism, film, physics, the big bang theory, being bullied, the process of living and the purpose of art.

 

More About The Mazeking

 

Official Website

Saatchi Art

Instagram

American artist The Mazeking 飛龍 (Gabriel Asoka) is known for creating colorful, bold, and provocative artworks. He officially began making art in 1998 and started painting, creating various works, ranging from oil on canvas to acrylic on paper. The majority of his work is done in themed series, sometimes taking months or even a year to complete.

In 2002, Asoka had his first solo exhibition in Los Angeles at the O’Melveny Gallery. His love of life, and passion for exploration springs forth in his works of art. His works are about the Unseen (esoteric), Balance (duality), and Energy; what Asoka calls the “three keys”. When asked about his subject matter “I have always been deeply drawn to the esoteric (spirit), science and philosophy. Which are all, one and the same to me”. Inspired by everything from daily encounters to dreams, he explores various themes, including consciousness, sexuality, and the mystical, offering us a richer and more engaging perspective.

Asoka utilizes colors, contrast and forms as symbols. “I’ve used symbols in almost all my work, sometimes it’s just the color of something, or a shape or form, to represent an aspect of something, states of mind or experiences. It’s something that arose in my life and work over time and became part of my process”. Asoka places no labels or categories upon his work. He does not see art in classifications or categories, such as abstract or representational, stating “Everything is abstract in a way and representational in another way, it’s all perception”.

Over the years, his artworks have been collected by private collectors and can be seen in exhibitions around the world. The Mazeking currently lives and works in New York City.

 

Happiness Here Street Art 64NYC

Art by Artist The Mazeking, Happiness Here Street Art.

Show Notes

The Formula Painting

The Formula Painting by Artist The Mazeking

Fashion Maze Carine Roitfeld

Fashion Maze Carine Roitfeld by Artist The Mazeking

 

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The Story of KRINK with Craig Costello

Published

1 month ago

on

April 24, 2020

By

Krink ® New York City, Courtesy Craig Costello

Krink ® New York City, Courtesy of Craig Costello

 

Listen to New York Said wherever you get your podcasts:
Apple Podcasts | Google Podcasts | Spotify | Stitcher | TuneIn

 

Krink: Graffiti, Art, and Invention should have been the title of this week’s podcast episode but it’s already the title of Craig Costello’s new book that just dropped with Rizzoli.

In this episode Craig and Amon talk about growing up in Queens, life in San Francisco, the birth of Krink, Alife, minimizing risk, field testing, racking and the challenges of growing a small business.

 

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

More About Craig

Craig Costello, aka KR, grew up in Queens, New York, where graffiti was part of the landscape and a symbol of the city. While living in San Francisco, he quickly garnered attention when his signature “KR” tag popped up throughout the city. As he became one of the more prominent figures on the streets of NYC and SF, he began to hone his craft by creating better tools launching his own line of homemade markers and mops, combining his moniker KR with the word INK. In Krink: Graffiti, Art, and Invention, Costello has compiled a visual memoir: from his early days of the ’80s and ’90s and launch with the hip New York City retailer Alife, which put his brand on the map, to his evolution as an artist and high-fashion collaborator.

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

More about the Book

The book showcases Costello’s seminal style and his extensive body of work, including site-specific installations around the world. It also chronicles his myriad collaborations with Alife, Nike, Coach, Moncler, Modernica, Marc Jacobs, Levi Strauss & Co., Mini (BMW), Carhartt, Casio G-Shock, Kidrobot, Medicom Toy, Stance, agnès b., and colette, among many others. Today, Costello’s reach and influence goes far beyond urban street culture. Krink has grown exponentially into a global artist materials brand with expanding collections of apparel, tools, and accessories; while Costello’s unique aesthetic can be seen on objects from sneakers to luxury goods to cars.

Krink: Graffiti, Art, and Invention is both stylish and informative, capturing the ethos of punk and hip-hop culture, and is sure to appeal to the fans of high/low cultural crossovers, as well as die-hard fans of street art and fashion.

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

Krink: Graffiti, Art, and Invention By Craig Costello, Published by Rizzoli

 

Show Notes

  • Craig Costello
  • KRINK
  • Taking Risks
  • Conservative on the risk tip
  • Minimized Risk
  • Keeping KRINK a Secret 
  • Drippy Tags
  • Didn’t write graffiti on trains in the 80s
  • Ink tags
  • Ditto machine
  • Mimeograph
  • Supermarket ink
  • Grew up in New York
  • Graffiti traditions
  • Making ink
  • Being resourceful
  • Graffiti zines
  • Skills Magazine #7
  • TAKI 183
  • Cornbread
  • Silver KRINK
  • The early process of making KRINK
  • Field testing the product
  • Stop racking 
  • ESPO
  • The Art of Getting Over
  • Alife
  • Futura and Stash Recon Store
  • Getting press
  • The Fader
  • Keeping costs down
  • Learning things the hard way
  • No plan 
  • Pigment in solvent 
  • Graffiti carries a lot of baggage
  • Minimal actions
  • The Red Door
  • Sculptural piece
  • Beyond the Streets
  • Scaling up using color 
  • Using fire extinguishers
  • Skating banks at JFK
  • Infamy (Film)
  • Kunle Martins “Earsnot”
  • IRAK
  • Dash Snow
  • Giant silver drippy tags
  • Controlling the narrative 
  • Keep things extremely simple
  • Canon G7
  • Curious Artist 
  • Ricardo Gonzalez – It’s A Living
  • Shantell Martin
  • Built in aesthetic 
  • “Don’t Blame the Tool, Blame the Fool”
  • Hand made in small batches
  • Keeping the standard
  • Quality Control 
  • Trust yourself
  • Self-doubt

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Art

Greg Miller talks Painting, Westerns, Surf Culture and The Wild Bunch

Published

8 months ago

on

September 23, 2019

By

Painting by Greg Miller

Painting by Greg Miller

Greg Miller and Amon met up in Chelsea to converse about painting, westerns, surf culture and his participation in the The Wild Bunch exhibition at the JoAnne Artman Gallery.

Show Notes

 

Painting by Greg Miller

Painting by Greg Miller

 

 

Painting by Greg Miller

Painting by Greg Miller

 

 

Painting by Greg Miller

Painting by Greg Miller

 

Artist Statement

Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with the space he inhabits to communicate a particular urban experience. Working with both paint and collage, he constructs and deconstructs exploring the contradiction, ambiguity, and truth between urban streetscape and history.

Miller’s art is clever and cool. His abstracted backgrounds of drips, patterns, and phrases and the peeling back of layers provide a study in the impermanence of the things that surround us. His large-scale paintings and installations aim to make the most fleeting parts of American culture tangible. They grab us nostalgically, rousing us to enjoy the momentary beauty found in the impermanent parts of our lives. There is a fragile heroicness conveyed within the temporary nature of it all, especially within his construction of paper, wood, and natural materials, that gives Miller’s work liveliness and depth.

Greg Miller’s work is featured in numerous museum and private collections that have traveled internationally including those organized by the Charles Saatchi Collection and the Frederick R. Weisman Collection. The Get Go, a volume of his writings, photography and paintings, was published in 2010, and the first comprehensive monograph on the artist, Signs of the Nearly Actual, was published in 2008.

Miller spends his time between New York, NY and Los Angeles, CA.

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