Ryan McGinness talks showing your work, exploiting the analog glitches, pure geometry and the burden of communication.
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Notes from the Conversation:
Prolific | Approaching Fifty | Creating an Immersive Environment | Miles McEnery Gallery | Make a Statement | One Grand Singular Statement | Street Signs | One Grand Painting | The Black Holes | Narrative Elements | A System Started to Emerge | Systematic Approach to the Work | Why 72? | Site Specific |Easily Reconfigured to Any Other Space | Many Details to Discern | Macro and Micro Compositions | Taking in the Work | No Overarching Narrative | No Linear Way to Read the Work | Discreet Units of Meaning | No Stories | Interpreting | The Burden of Communication | Art that Invites You | Pure Geometry | Finding Truth in Geometry | Real World vs Simulation | Brush Work | Even Crosshatching | Communication Through Art | Art vs Graphic Design | Took the Pursuit of Art Very Seriously | Stickers and Zines | Silk Screening | That Takashi Murakami Interview | Beauty as a Trojan Horse | Universal Icon Aesthetic | Original Drawings | Hobo Signs | Henry Dreyfuss | Who is Bozo Texino | Fight for your Time | The Studio of the Mind that you Can’t Escape | Isotopes | Marcel Duchamp | Most of our Offenses are Language Based | Exploiting the Analog Glitches | The Process Informs the Finished Painting | The Cologne Progressives | Jori Finkel | Simulation of Mindscapes Book | No Fear of Sharing | Show Your Work | Driven by Logic
More from Ryan
Ryan McGinness lives and works in New York, NY. His work is included in the collections of The Metropolitan Museum of Art, New York, NY; Museum of Modern Art, New York, NY; Virginia Museum of Fine Arts, Richmond, VA; Museum of Contemporary Art, San Diego, CA and Cincinnati Art Museum, Cincinnati, OH, among others.
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