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ICP’s Curator-at-Large Isolde Brielmaier talks Inaugural Exhibitions at the International Center of Photography

Published

2 months ago

on

Isolde Brielmaier, Photography by Cindy Ord

This week we headed to the Lower East Side to converse with ICP’s Curator-at-Large Isolde Brielmaier. In this episode we talk about the Tyler Mitchell: I Can Make You Feel Good solo exhibition, critical engagement with broad communities and the history of imaging.

Show Notes

Lower East Side
ICP International Center for Photography
Essex Market
Community and business relationships
Tyler Mitchell Exhibit
Curator at Large
Collaboration
Immersive
I Can Make You Feel Good
Black Utopia
Gut punching in optimism
Declaration of presence & joy
Expect to engage
Chasing Pink
Idyllic Spaces
Don’t touch
Intention
Open for interpretation
Contact High Vicki Tobak Episode
Contact High
Erin Barnett, Director of Exhibitions
James Coup, Warriors Film
Visual culture
Beyonce shoot for Vogue
Larry Clark to Gordon Parks
No Genre Driven Boundaries
Use of Technology
NYU Tisch
Professor of Imaging
Dr. Deborah Willis, Department Chair

~~~

The opening exhibitions are:

Tyler Mitchell: I Can Make You Feel Good—the photographer and filmmaker’s first US solo exhibition and the US premiere of several photographs, video, and installation works exploring new ways of interpreting Black identity today

ICP - Tyler Mitchell

Part of the exhibit “Tyler Mitchell: I Can Make You Feel Good.” (Photo by Amon Focus)

ICP - Tyler Mitchell

Tyler Mitchell, Untitled (Group Hula Hoop), 2019.

CONTACT HIGH: A Visual History of Hip-Hop—a behind-the-scenes glimpse into how iconic portraits came to be through four decades of contact sheets from major photographers documenting the hip-hop movement

ICP - Contact High

A collection of Ricky Powell slides in the exhibit “CONTACT HIGH: A Visual History of Hip-Hop,” (Photo by Amon Focus)

ICP - Contact High

Photos in the exhibit “CONTACT HIGH: A Visual History of Hip-Hop,” with photos of the LES on the upper level. (Photo by Amon Focus)

James Coupe: Warriors—a new series of moving image works that algorithmically categorize museum visitors and, using deepfake technology, inserts them into specific scenes from the 1979 cult classic film The Warriors

© James-Coupe

© James-Coupe

The Lower East Side: Selections from the ICP Collection—drawn from ICP’s rich holdings of mid-20th-century works, it examines the role of images in enduring narratives about the Lower East Side.

ICP - Lower East Side

Photos in the exhibit “The Lower East Side: Selections from the ICP Collection” (Photo by Amon Focus)

International Center of Photography

Photos in the exhibit “The Lower East Side: Selections from the ICP Collection” with photos of the CONTACT HIGH on the Lower level. (Photo by Amon Focus)

~~~

About Isolde Brielmaier 

Official Website: https://www.isoldeb.com

Instagram: @isolde_brielmaier

For over a decade Isolde has worked internationally as a curator and cultural strategist, collaborating with noted contemporary artists, art institutions, companies and individuals to position them in the center of culture via headlining projects, cultural programming, social impact initiatives and partnerships that contextualize each entity in meaningful ways to drive buzz and engagement. Her diverse experience and broad reach highlights her ability to integrate and customize a global aesthetic into multiple platforms including art, design, architecture, technology, scholarship, fashion, publishing, public and private real estate as well as philanthropy.

Currently, Isolde is the inaugural Curator-at-Large at the International Center of Photography (ICP) in NYC. After six years as Executive Director and Curator of Arts, Culture & Community at Westfield World Trade Center, she is now the national advisor for Unbail-Rodamco-Westfield (URW), a role in which she advises on artist projects and installations, cultural events, strategic and community partnerships across the organization. Isolde is also Professor of Critical Studies in Tisch’s Department of Photography, Imaging and Emerging Media at New York University, and continues to work on a range of cultural projects that bridge both the public and private sectors including commission based projects for Amazon Web Services | Smithsonian and the Peninsula Hotel Group. She serves as Editor at Large at Air Mail, Graydon Carter’s new media venture and speaks regularly on topics related to art, culture and social impact.

Isolde has been profiled and featured in the NY Times, the Wall Street Journal, Elle, Vogue, Modern Luxury, WNYC Radio, CNN, Cultured, and Whitewall among others.

~~~

About ICP
The International Center of Photography is the world’s leading institution dedicated to photography and visual culture. Cornell Capa founded ICP in 1974 to champion “concerned photography”—socially and politically minded images that can educate and change the world. Through our exhibitions, education programs, community outreach, and public programs, ICP offers an open forum for dialogue about the power of the image. Visit icp.org to learn more.

Highlights of ICP’s new center include:

  • 40,000 square feet of exhibition, education, and administration space
  • Educational programs at all levels from youth to adult via continuing education classes, two part-time programs, three full-time one-year certificate programs, and an MFA program in association with Bard College
  • A research library featuring over 22,000 books, artist files, and periodicals
  • An expanded shop with a comprehensive photography book selection and imaginatively curated objects and apparel
  • A new café offering pastries and sandwiches prepared by Café D’Avignon and featuring La Colombe coffee and tea
  • Extended general hours: Monday through Sunday 11 AM–7 PM; open until 9 PM on Thursdays; closed on Tuesdays
  • New admission fees: Adults $16; Seniors (62 and Over), Students (with Valid ID), Military, Visitors with Disabilities $12(caregivers are free); SNAP/EBT card holders $3
  • Free admission: ICP members and ICP students; all visitors 18 years old and under
  • Pay by donation hours: Thursdays from 5 to 9 PM and the last Saturday of the month from 11 AM to 2 PM

ICP’s new visual identity, designed by Pentagram, will launch with the opening of the new space. The logo harkens back to the stylized ICP acronym on the letterhead Cornell Capa used to announce ICP in 1974. Updated for the 21st century, the three letters (ICP) can now take an infinite number of forms, reflecting the countless and critical ways that photographers frame our world today.

~~~
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Culture

In Conversation with Pulitzer Prize-Winning Art Critic Jerry Saltz

Published

2 weeks ago

on

March 24, 2020

By

Portrait of Jerry Saltz by Celeste Sloman.
Portrait of Jerry Saltz by Celeste Sloman

 

 

The long awaited book “How To Be An Artist” by Jerry Saltz is here. Based off of his early Vulture essay by the same name, he wrote the work as a note to his younger self.

In this week’s episode Jerry Saltz, Senior Art Critic for New York Magazine talks with Amon Focus about being radically vulnerable, the importance of deadlines, the Pulitzer Prize and how to look at art. There are a few surprises in this interview but we don’t want to give it all away in the intro.

Just a heads up, during this conversation you may hear a little bit of phone static from time to time, it’s only for a few seconds, it’s nothing crazy, I just wanted to give you a heads up so you’re not wondering what the heck is that sound.

Listen & Enjoy!

 

Keep up to Date with Jerry Saltz

@JerrySaltz – Twitter

@JerrySaltz – Instagram

How to Be An Artist by Jerry Saltz

Want to Buy “How to Be An Artist” by Jerry Saltz?

 

New York 's art critic Jerry Saltz and his forthcoming book, How To Be An Artist (Riverhead Books, 2020).

New York ‘s art critic Jerry Saltz and his forthcoming book, How To Be An Artist (Riverhead Books, 2020).

 

“How to be an Artist” is a note to my younger self.

 

Show Notes

 

Importance of Deadlines

  1. I know they are bad
  2. Make a deadline
  3. Never break a deadline

 

Biggest Lessons thus Far:

  1. Be nice
  2. Energy-Bring it!
  3. Make an enemy of envy
  4. Don’t let rejection define you
  5. You have to listen to get the final lesson…(We can’t tell you everything)

 

New York Magazine art critic Jerry Saltz as Salvador Dalí, based on a photograph by Philippe Halsman. Photo-Illustration: Joe Darrow for New York Magazine.

New York Magazine art critic Jerry Saltz as Salvador Dalí, based on a photograph by Philippe Halsman. Photo-Illustration: Joe Darrow for New York Magazine.

 

Jerry Saltz Quotables

 

“…fear is the admission price to the house of creativity, to the house of art.”

“I have no choice but to get on with it.”

“Things only happen when you work.”

“Roberta is the greatest art critic alive.”

“I throw out about 99% of what I do”

“I’ve got to get back to the art world, I’m in agony.”

“I had to go through hell in the trucks to come out somehow perfect, pure, and ready for the stars.”

“I want people to know the me I think I am”

“We are mildly insane.”

“Art – the greatest abstract operating system(s) ever devised by our species.”

“Not all communication is accessible to all people”

“All art is subjective”

“No right way, no wrong way to look at art.”

“Don’t be intimidated by art”

“Deadlines come from Hell via Heaven.”

“You can learn enough from bad art as good.”

~~~
We would love to hear your thoughts on the episode. Leave a comment on the Apple Podcast App and don’t forget to rate the show.

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Culture

Celebrating the Legacy of Ralph McDaniels and Video Music Box

Published

1 month ago

on

March 3, 2020

By

Uncle VJ Ralph McDaniels

In this episode we Celebrate the Legacy of Ralph McDaniels and Video Music Box. With over 35 years in the industry, Ralph sits down and shares his story with us.

Show Notes

  1. South Jamaica, Queens
  2. A South Side Kid
  3. Queens Jazz Musicians 
  4. Crack Era
  5. Chemical Warfare 
  6. War on Drugs
  7. Stop and Frisk
  8. Queens Central Library 
  9. A Cipher in Queens
  10. Sherwin Banfield
  11. Club Encore Mix
  12. Eddie Murphy 
  13. Disco Records
  14. Soul Music 
  15. Blue Ice Night Club
  16. Video Music Box
  17. Baisley Park
  18. 1990 Redman and Biz Markie Springfield Freestyle 
  19. Stretch and Bobbito
  20. Grandmast Vic
  21. Doggtime
  22. DJ Dirty Harry
  23. Lionel ‘Vid Kid’ Martin
  24. Mister Cheeks
  25. Mobb Deep
  26. WuTang – Ice cream 
  27. Shirt King Phade
  28. Jay Z
  29. Kool Red Alert 
  30. Dapper Dan
  31. LL Cool J
  32. Colosseum Mall
  33. FUBU
  34. Daymond John
  35. Karl Kani
  36. Cross Colours
  37. April Walker
  38. Diddy
  39. Hype Williams 
  40. Irv Gotti 
  41. Queens Village
  42. Mic Geronimo – Shit’s Real (It’s Real)
  43. Cash Money Click 
  44. Ja Rule 
  45. Self Destruction 
  46. KRS One Stop the Violence   
  47. Nassau Coliseum
  48. Nelson George
  49. D-Nice
  50. Overcoming Self Destruction – Docuementary
  51. MC Lyte
  52. Big Daddy Kane 
  53. Daddy-O
  54. Drake
  55. Chance the Rapper
  56. Uncle Murder
  57. Just-Ice 
  58. Wu-Tang Clan – C.R.E.A.M.
  59. Heavy D
  60. Salt-N-Pepa – Get Up Everybody
  61. Lil Wayne 
  62. “Don’t Get in the Way of you Getting the Interview”
  63. Ice-T
  64. Flip Da Script 
  65. Superstar Jay
  66. Funkmaster Flex
  67. Sway in the Morning
  68. Ebro Hot97
  69. DJ Clark Kent
  70. Chris Brown
  71. Cardi B
  72. ICP
  73. Vikki Tobak 
  74. Contact High
  75. Danny Hastings 
  76. It Ain’t Hard to Tell
  77. Nas EPK

 


 

  1. Q-Tip
  2. Belly
  3. Biggie
  4. Tribe Called Quest
  5. Leather Medallion 90s 
  6. Paid in Full
  7. Willie Burger
  8. Cappadonna 
  9. RZA
  10. Adobe After Effects
  11. Chyron 
  12. Grassvalley Wipe
  13. Tats Cru 106 and Park Ave
  14. Socrates Park 
  15. Fred “Bugsy” Buggs
  16. Imhotep Gary Byrd
  17. Hank Spann
  18. Disco fever
  19. Russel Simmons
  20. Davy DMX – One For The Treble (Originals B-Boy Dedication Video)
  21. Fat Boys
  22. Krush Groove
  23. Sheila E.
  24. Naughty by Nature 
  25. Juice (Film)
  26. Beat Street
  27. Breakin’ (Film) 
  28. 2Pac
  29. Ernest R. Dickerson
  30. Spike Lee
  31. Queen Latifah
  32. The Bomb Squad (Producers)
  33. Something for the Radio – Biz Markie
  34. Motown Philly
  35. Who Got the Props – Black Moon
  36. Tha Alkaholiks – Only When I’m Drunk 
  37. Loud Records 
  38. Gin and Juice 
  39. Yo MTV Raps
  40. Luke Ft. 2 Live Crew – I Wanna Rock
  41. New York Hot Track (Video Show)
  42. Who Is Gil Scott-Heron?
  43. Winter in America 
  44. S.O.B.’s
  45. Blue Note
  46. Crazy Sam

~~~
We would love to hear your thoughts on the episode. Leave a comment on the Apple Podcast App and don’t forget to rate the show.

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Culture

Mark Bozek talks The Times of Bill Cunningham

Published

2 months ago

on

February 15, 2020

By

The Times of Bill Cunningham, Illustration by Ruben Toledo

The Times of Bill Cunningham, Illustration by Ruben Toledo

 

 

The Times of Bill Cunningham is a film by Mark Bozek. Mark and Amon take a moment to converse about the inception, journey and process of taking Mark’s film to the silver screen.

 

Show Notes

Stay Up to Speed with The Times of Bill Cunningham

Website: https://www.billcunninghammovie.com
Instagram: https://www.instagram.com/bcunninghamfilm/

 

NYC FANS: Catch Q&As with THE TIMES OF BILL CUNNINGHAM director Mark Bozek

NYC FANS: Catch Q&As with THE TIMES OF BILL CUNNINGHAM director Mark Bozek

 

Film Synopsis

Narrated by Sarah Jessica Parker, The Times of Bill Cunningham features incredible photographs chosen from over 3 million previously unpublicized images and documents from iconic street photographer and fashion historian Bill Cunningham. Told in Cunningham’s own words from a recently unearthed 1994 interview, the photographer chronicles, in his customarily cheerful and plainspoken manner, moonlighting as a milliner in France during the Korean War, his unique relationship with First Lady Jackie Kennedy, his four decades at The New York Times and his democratic view of fashion and society.

Director’s Statement

I began work on this film on the day of Bill Cunningham’s death in 2016 when I discovered a long-lost interview I had done with him from 1994.
Ten minutes into viewing the interview, I knew this would be my first film.

Eighteen months after discovering the interview, I was given rare access to Cunningham’s remarkable archive of photographs and documents. Not only did Cunningham photograph his beloved New York City for more than six decades but he safeguarded – and in fact slept on – his treasure trove of photographs and documents. His previously unpublished archive will likely become one of New York City’s most important.

– Mark Bozek

 

 

Bill Cunningham

William John “Bill” Cunningham Jr. (March 13, 1929 – June 25, 2016) was an American fashion photographer and fashion historian for The New York Times, known for his candid street photography. He began taking candid photographs on the streets of New York City, and his work came to the attention of The New York Times with a 1978 capture of Greta Garbo in an unguarded moment. Cunningham reported for the paper from 1978 to 2016. During that time he never missed one single week of reporting.

Cunningham was born into an Irish Catholic family and raised in Boston. He never lost his Boston accent. He had two sisters and an older brother. His parents were religious and ran a strict household. He had his first exposure to the fashion world as a stock boy in Bonwit Teller’s Boston Store. He later said his interest in fashion began in church: “I could never concentrate on Sunday church services because I’d be concentrating on women’s hats.” After attending Harvard University on scholarship for two months, he dropped out in 1948 and moved to New York City at the age of 19, where he worked again at Bonwit Teller, this time in the advertising department.

 

2.Bill Cunningham, Paris, 1970. Photo credit: Jean Luce Hure. Courtesy of Greenwich Entertainment.

2. Bill Cunningham, Paris, 1970. Photo credit: Jean Luce Hure. Courtesy of Greenwich Entertainment.

Not long after, Cunningham quit his job and struck out on his own, making hats under the name “William J.” He was drafted during the Korean War and was stationed in France, where he had his first exposure to French fashion. After serving a tour in the U.S. Army, he returned to New York in 1953 and his work as a milliner. In 1958, a New York Times critic wrote that he had “cornered the face-framing market with some of the most extraordinarily pretty cocktail hats ever imagined.” He also worked for Chez Ninon, a couture salon that sold copies of designs by Chanel, Givenchy and Dior. His clients in the 1950s included Marilyn Monroe, Katharine Hepburn and future First Lady Jacqueline Bouvier. Encouraged by his clients, Cunningham started writing, first for Women’s Wear Daily and then for the Chicago Tribune. He closed his hat shop in 1962. Following the assassination of President Kennedy in 1963, Jacqueline Kennedy sent Cunningham a red Balenciaga suit she had bought at Chez Ninon. He dyed it black and she wore it to the funeral.

~~~
We would love to hear your thoughts on the episode. Leave a comment on the Apple Podcast App and don’t forget to rate the show.

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